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Permanent Waves : ウィキペディア英語版 | Permanent Waves
''Permanent Waves'' is the seventh studio album by Canadian rock band Rush, released on January 1, 1980. It was recorded at Le Studio in Morin Heights, Quebec, and mixed at Trident Studios in London, UK. ''Permanent Waves'' became Rush's first US top five album, hitting #4 on the ''Billboard'' 200, and their fifth gold (later platinum) selling album. The album marks a distinct transition from long, conceptual pieces, into a more accessible, radio-friendly style and consequently, a significant increase in record sales for the band. The singles "The Spirit of Radio" and "Freewill" both received significant radio airplay. ==Background== The writing of the album began in July 1979, at Lakewoods Farm in Ontario on Georgian Bay, Lake Huron while Neil Peart began writing lyrics in a cottage nearby. Rush began with an instrumental jam, which they named "Uncle Tounouse." Parts of this were used in the songs on the album. While Peart worked on lyrics, Geddy Lee and Alex Lifeson would work on musical ideas in the basement. Within a few days they had put together "The Spirit of Radio," "Freewill," and "Jacob's Ladder", which came very naturally to them, and recorded on a Slider JVC mobile unit. "Entre Nous" was the only lyric completed ahead of time. Peart attempted to write a song based on ''Sir Gawain and the Green Knight'', the 14th-century epic set in King Arthur's time. It was deemed too out of place with the other material and was discarded. The band moved into Sound Kitchen studio in Toronto to record demos, joined by producer Terry Brown. "The Spirit of Radio", "Freewill," and "Jacob's Ladder" were further polished on the warm-up tour during soundchecks. Rush headed to Le Studio in Morin Heights, Quebec and began tweaking the settings of instruments and positioning of microphones. They recorded basic tracks with multiple takes until they captured the best performance. While Lee, Lifeson and Brown began overdubs, Peart began attempting to write another longer song, and after enduring three days of writer's block, "Natural Science" was born. Fin Costello was then brought in to photograph the band in the studio. Cover art director Hugh Syme was also brought in and recorded a piano solo for "Different Strings". Music was composed for "Natural Science", with some parts reused from the discarded "Green Knight." The water sounds at the beginning of the song were created by splashing oars in the private lake, performed by Brown and studio assistant Kim Bickerdike, and the natural echo outside was used to record various instruments. The rough mixes on the album were complete, and the final mix was completed in a week at Trident Studios, London.〔Permanent Waves Tourbook〕
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